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MONKEY SEE PICTURES OF THE FIFTH WALL OF VALPARAISO CERRO CORDILLERA

ON THE FIFTH WALL or fifth facade
in the working population VALPARAISO IN THE CENTENARY OF MATTA

A living space with four walls that rise or support vertically inside
-call it "heaven" and visually with murals
involved in large churches and theaters ... etc
today are speaking little, but doing
interesting theme for the new materials and technologies, and

what happens on the roof on the outside, with the aerial view?

In some buildings
roofs are marked as red-cross-hospital-airport fire brigade., Even today
heliports or
-in cars, taxis, ambulances, police etc, and now

by the use we gave him, we put the fifth wall,
or fifth facade, because from the hills
are surfaces of houses,
the "up" from the other higher hills or buildings. Topographically

Valparaiso lends itself to that, including the terraces
that almost all houses have to see the sea and the spectacle
New Year fireworks,
is: the Buenos Aires occupies and inhabits the surface of your roof or visually
while we painted, even running over the roof, not only saw cats, seagulls, etc. ...
also running dogs and people walking or hanging the laundry,
or balconies with open view to the sea-space-to
air and the look is open to all ... is addressed to all parties and especially

also to ceilings and interiors of the windows is a voyeurism
healthy public, open and public.

This was an idea that we were giving back some time in the year
Centennial Matta to reproduce their images
spreading it over the hills, but now
found in cities and plans Internet viewed digitally: you have to imagine Valparaiso
at one time more:
ships landscapes Mar-streets-houses and their roofs
revived rusty color and seen from airplanes, etc ...
(note the aerial photo below.)

ceilings you imagine all those different colors?
you imagine a picture on every roof in each?

It could do this in other cities to this topography?
For example, in Quito, Genova, etc. ..

Now the second issue, or rather the starting point of this intervention was to protect the roof
or surface, waterproofing,
and that we face another technological challenge with paints to use and the children went there
professionals working population:
architects and engineers and project managers to consider waterproofing and cubic zinc and colors, involving shops and paint manufacturers
place and why not, adding an extra
to "beautify the roof" because "it was to view of all. "
So we involve people in protecting your home and you davamos
that extra care and participation in, and you
sumabamos mattiana iconography.

Now the other important point was not to fall "in the impact by the impact,"
-in "originality" in the "visual shock" ... that could be an aggregate of work, the most important thing was
the organization based on love to the people, to involve them and give them a plus
its population and for this we start with your base Organizationof ...
went with them to develop the idea, I was invited to speak, to study it, shape it, make it possible ... and there it is: The images of Matta
residing and living in the city in a working population with history.

is a tribute to urban art and city, in the light, its inhabitants, Matta. Mono González

February-2011